halley willcox

Halley Willcox has an MFA in Dance from Arizona State University and received her BFA in Dance from Texas Christian University.  Halley works as an  faculty associate at Arizona State University and Grand Canyon University, as well as teaching workshops regionally and internationally. Halley teaches with Liz Lerman and is working with her on the development of the Atlas of Creative Tools; a multidisciplinary creative framework.

Halley is the director of Methods of Madness Dance Theater, an outlet for her creative work which ranges from experimental minimalism with a sense of adventure to placemaking rooted in community building through movement exploration. She is inspired by curiosity, legacy, preservation, memory, nature and binoculars. Halley is motivated by her question: How do we communicate our imagination? She uses her independent creative projects to articulate this question, make the world a better place and have a little fun.

She is currently working on a new work “a rose for you.” The development of this work has been shown in Phoenix at [nueBOX] and Kahvi’s Gallery in Phoenix. The tour performaces include the Do Right Hall in Marfa, Texas as a guest collaborator and performance with Mo Eldridge. On June 28th and 29th we will perform in Brooklyn, New York sharing a show with Chris Bell Dances. We plan to perform this work around Arizona in August and September 2023.

Halley is a permanent artist in residence (2019- Present), Director of Marketing and grant writer for [nueBOX], a non-profit arts organization that provides performance residency programing for artists based in Phoenix. 

Halley developed “falling towards the sky” during her dance artist residency at Banff Centre for Arts and Creativity in Canada.  Excepts of “falling towards the sky” have been performed at the Artlink juried exhibit at the Found:re Gallery in Phoenix and during Halley’s residency through Aeris Körper based in Onterio, Canada.

She was an Artist-In-Residence at Daley Park in Tempe, Arizona (Aug 2019- May 2020). Halley continues help facilitate creative planning, create dance for films and a site specific movement performance with surrounding neighborhoods. Including her upcoming dance film installation “Stories That Move You” (Spring 2021).

She has performed in works choreographed by Nina Martin, Alexandra Beller, Susan Douglas Roberts, Christian Von Howard, Keith Thompson, David Dorfman, Elijah Gibson, Erica Gionfriddo, Lisa Race and Mary Fitzgerald. While living in New York City she danced with Kinesis Project Dance Theater and Eyes of a Blue Dog Dance Theater, in various venues including the Judson Church, and Jacob's Pillow. During Halley’s time in Kansas City she performed and choreographed for City In Motion Dance Theater for three seasons and taught at Kansas City Ballet’s year-long program, as well as multiple summer intensives. In addition, she produced multiple evening length works for the Kansas City Fringe Festival and won “Best of Fringe” in 2015 for her show [un]divided with professor and choreographer Suzanne Ryan. Her dances have also been presented at Performática (MX- PU), Groundwells Series (NYC), [nueBOX] PairFEST (PHX, AZ), Las Vegas Dance In The Desert Festival( Las Vegas, NV), MOCO 2019 (ASU, AZ), 60X60 (St.Louis, MO), the Bell House Exchange Choreography Festival (Tulsa, OK), Charlotte Street Foundation (Kansas City, MO), Lawrence Arts Center (Lawrence, KS) Modern Night at the Folly (Kansas City, MO), Sling Dance Project (Austin, TX) and Estada Intertour Dansa, a 24-city tour in Catalunya, Spain.

 Halley is a PMA certified pilates instructor with 600 hours of training and 6 years of teaching experience—a practice that  informs her somatic approach to teaching movement.

During summer 2020 Halley published and presented a long paper as the second author for the International Conference on Movement and Computing. In 2022 she co-authored “Collectively playable wearable music: Practice-situated approaches to participatory relational inquiry” which was published in the Cambridge University Press, wearable technology. She has co-presented research at Impulstanz IDOCDE symposium in Vienna, Austria and the National Dance Education Organization. She co-taught a workshop on mindful improvisation at the Digital Research in the Humanities and Art conference in Malta. Halley has presented a research paper on pedagogical tools at NDEO and performed at MOCO with Datura. She is the former movement director for Datura, a local Interdisciplinary improvisational ensemble that performs and teaches in and around the Phoenix area. Halley is currently working with Dr. Seth Thorn researching Embodied Sonic Techniques through wearable music.

Contact Halley to request CV